Web Camel Transport 18

Here is My Handle, Here is My Spout:  Pouring Out Happiness

Wednesday, February 17, 2016

A number of years ago I taught with a professor and his wife, Cecily, in New York. One evening I had dinner at their house, served on heirloom china Cecily had inherited from her mother who had inherited it from Cecily’s maternal grandmother. Each woman had received the china on the occasion of her wedding. Cecily kept her china set in an antique corner hutch in the dining room, and had typically only used it on special occasions. But due to a recent situation she had decided to use the precious china more often, rather than her everyday dishes.

Cecily and Mark had gone on sabbatical to England for a year, and during that time rented their furnished house to a visiting professor from Japan, who had a wife and two children. Cecily had assumed the family would use the dishes in the kitchen cabinets, of course, and hadn’t worried about her heirloom china set at all. She assumed that since she would be afraid to break something of value in the home her family had leased in London, that her own tenants would adopt the same view.

But when Cecily and Mark returned, the Japanese professor asked if he might purchase from her the heirloom china teapot. He said his wife loved it, and both of them thought it made the best tea of any teapot they owned or had ever used.

Cecily explained that the teapot not only came with a sugar bowl and creamer, but it was part of a complete heirloom set, passed down in her family, and the set was intact. No one had broken a single cup or plate. She had plans to continue the tradition and pass it down to her own child on the occasion of a wedding. The set would be broken if she gave away the teapot. Downcast, the professor politely continued to plead for the teapot. He would be heartbroken, it seemed, to displease his wife, who treasured the teapot and had taken such good care of it during its daily uses. The teapot was special to them and he would give her a big compensation to be able to take it with him.

Cecily said she would think about it, and in the end she gave the family her teapot. She felt sad about the broken set, and the broken tradition, but the teapot meant a lot to the Japanese family and she found herself unable to break their hearts. It meant more to Cecily to give away something that caused her some painful feelings of loss, than to deny another human being something that he had so determinedly wanted.

Over the years the teapot became more alive for her when she thought of the family in Japan drinking their tea from it every day as if it were enchanted. She had not used it very much, and it had found a home far away from the rest of the china set. The giving of this gift altered her perception about legacies, and about the use of valuables. If not used, and shared, they would not be enjoyed. Now, when the china came out, so did her mother and her grandmother, and reminiscences of family recipes, written on old index cards.

When she gave away something, Cecily made room for other experiences. Happiness finds its way even into the broken places in our lives, filling the empty places, the losses, with possibilities that connect us across continents and even across time.

Guest saddle:  What is something you have given away, or given, until it hurt?  How did your gift change the way you view things?  Has someone ever give you something that was precious to them, be it material or immaterial?  Did you recognize the magnitude of the gift?

Web Camel Transport 17

A Company of One:  Brilliant and Bumbling Happiness

Thursday, February 18, 2016

Around the conference table in my head sit all of my sub-parts. The overarching CEO provides the glue and the team-building for the motley crew of subcontractors: the responsible me, the funny one, the reflective one, the artistic one, the analytical one, the nudgey one, the empathic one, the goofy one. . . etc.

“Look,” the (my) CEO pronounces, “You all have a role, you are all employable, but lately you’ve been working at cross purposes and not listening to one another. It takes a village to raise oneself, as you all know, and as a masterpiece in the making we need cooperation. Our moves can look just as bold, when backed by all of us—even those who remind us of the caveats, the exceptions, and the threats–as can that of a wiseass gone rogue. But our outcome is likely going to be a lot better when we have thoroughly considered what generates all the problems and what all of the impacts of our actions will yield.
I know some of you interface with others (while some of you operate behind the scenes). And in that interface I expect you to remain true to the group; authentic. Presenting a false facet presents a false self. We need all of us because every situation calls for different strengths, a variety of nuances, and different levels of energy. If you are called upon then go for it, but don’t shame or guilt the rest of us. Check in if you feel unsure of what to do.”

We don’t show all of ourselves in every situation. We are like gems, multi-faceted, but fused into a whole. And not only a whole of our own parts (and a whole that is greater than the sum of its parts), but a whole in the broader netting of gems—families, communities, etc. When each facet is true, the interface between our facet and that of others, in context, is clean and clear. It represents our best at that moment; our most sincere and honest at that moment. It represents us as authentically as possible. If that facet is our responsible and dependable self then we show that with consistency, and not just when it will benefit us or manipulate a situation in our favor. When we lie, cheat, or deceive someone else, they may feel hurt or offended, but for us we have betrayed our own character; we have chipped away at our gem; we have marred our authenticity. It takes the encouragement of a courageous sub-part to help other facets reveal themselves when they are vulnerable or weak.

Falsehood, or the making of a false self, derives mostly from fear(s). We fear not being loved, not being worthy, not being good enough. We fear rejection and criticism. We feel overwhelmed. We feel nothing we do is going to garner the respect or admiration or love we so desire. We feel ashamed. As an adaptation to that we evolve a false self or false selves. These are “fronts,” or “acts,” or “facades” behind which our more vulnerable, sensitive, and insecure facets can hide. The result of false selves causes suffering. You might hear someone say, “If he/she only knew what I am really like, then she wouldn’t like me. . .” The false self betrays the true self. The sub-parts cannot cohere. When we present a false self we cannot trust others because we do not trust our real selves to be worthy or beautiful as they are.

We feel happy when we live fully alive, and instead of censoring ourselves, let the spontaneous laughter, the unfettered hug, the lament about our clumsiness emerge, freely expressed. All of our unabashed ignorance, our clumsy footing, our hundreds of aspects that miss perfect calibration are just as dear and expressive as any facet we cultivate to please others, to succeed, to get ahead. Be real and your beauty will serve you well. Those who love you will truly love you. Those who criticize or judge will be critical and judgmental, and mired in a place you do not need to live.

Web Camel Transport 16

Activation and Happiness

Wednesday, February 17, 2016

“The place God calls you to is the place where your deep gladness and the world’s deep hunger meet.” Frederick Bruechner

I most recently read this quote in David Brooks’ compelling book, ‘The Road to Character.’ Brooks’ theoretical persons, Adam I and Adam II, move through the world motivated, in the first case, by success—material and otherwise—and in the second by the development of character. Brooks calls Adam I the man of the resume. Adam II finds motivation emanating from his higher, rather than baser self. Adam II lives the life which his eulogy would express.

Brooks describes the lives of individuals whose heroism and sacrifice are truly remarkable. He differentiates theoretically, the motivation that derives from “inside” us from the motivations that constitute our response to calls from “outside” of us.
At times this can get a bit confusing, because the conversation about inside/outside or interior/exterior often takes a decidedly opposite direction. As an example, we read that the reliance young people have on the opinions of others (outsiders) causes depression and anxiety. While we human beings inherently want to give and receive love, to belong, and to participate meaningfully in the life of family, community and the world, we have not, before this current period in our history, sought so much validation for the smallest of things from “outside” ourselves—what we ate at a restaurant, what clothing we wore, the scene we captured on camera at the ocean, the crowd in which we danced. The reliance on numbers of “followers,” or “friends,” has led to inflated senses of importance on one hand and to terrible emotional falls from social grace on the other. Comparing oneself to others—even those whom one does not know personally—has created much self-deprecation and reinforced the Adam I resume mentality. In this sense, the “outside” reference is the superficial approbation of others.

Brooks, however, means something of a different order by the world ‘outside’ the self. To him, discrete motivation from the interior represents self-absorption and selfishness, a kind of self-determination in a vacuum, whereas the outside calls to a person, and our higher selves respond to that calling. In Brooks’ view when we generate our careers, or our behavior comes from our interior world, then this expresses ego-based behavior.
In Brooks’ own words: The core question is not, “’What do I want from life?’ but, ‘What does life want from me?’ ‘What are my circumstances calling me to do?’” (page 21) Brooks argues that “In this scheme of things we don’t create our lives; we are summoned by life. The important answers are not found inside, they are found outside. This perspective begins not within the autonomous self, but with the concrete circumstance in which you happened to be embedded.”(pg 21)

I think that Brooks runs into a problem trying to distinguish an interior world from an exterior world. They are inextricably intertwined as a whole. By interacting with the world in various ways, whether or not we are conscious of it, things come to us, as if from the inside, or as if from the outside.

Sometimes the dictates of our external environment are experienced as more pressing, such as being stuck in a concentration or internment camp. But we all grow up in some environment and there is weight and nuance associated with that, let alone with the random things that occur around us, whether they constitute blessed events or horrific ones. The notion of following one’s passion does not in life exist as a separate, interior wish or thrust either conceptually or in the trenches.

My “I” is inherently part of a “We.” My “I” exists within a culture, a period in history, a family, a community, etc. There is some functionality that looks independent, and that I call mine, but I swim in a sea of air—our earth’s atmosphere—as well as a sea of others—our human atmosphere. One’s passion or intelligence or skillfulness will rise to the surface of whatever the demand, whether it appears to us as more interior or as more exterior. We cannot help but exist as part of the living fabric around us. The weave of a particular self is knitted into the warp of the world.

In an extension of the interior/exterior divide Brooks the search for happiness with the more interior, ego-driven Adam I. The more exterior Adam II searches for meaning. He writes: “The central fallacy of modern life is the belief that accomplishments of the Adam I realm can produce deep satisfaction. That’s false. Adam I’s desires are infinite and always leap out ahead of whatever has just been achieved. Only Adam II can experience deep satisfaction. Adam I aims for happiness, but Adam II knows that happiness is insufficient. The ultimate joys are moral joys.” (page 15)

In my view the distinction between ‘moral joy’ and ‘happiness’ does not increase our understanding of living a good life. It seems more complete to understand people’s happiness as inclusive of what Brooks calls moral joy. When we engage in some kind of service to the world—even a tiny niche of the world—we benefit in multiple ways and hopefully we have benefited some recipient(s). It feels good and pleasurable to help, and that layers onto the goodness of helping. Brooks tends to regard happiness as the superficial cousin of moral joy. Happiness at the expense or exclusion of another tends to be short lived. At an extreme, some people, who might well feel happy surviving a war, a car accident, or a layoff, experience survivor guilt instead (“Why me and not him?”)
This gets beautifully summed up in another Frederick Bruechner quote: “Compassion is the sometimes fatal capacity for feeling what it is like to live inside somebody else’s skin. It’s the knowledge that there can never really be any peace and joy for me until there is peace and joy finally for you too. ”

Guest saddle: What activates you? Do you feel more aware of motivation as coming from inside yourself? Soul searching? Contemplation of personal strengths? Or do you feel “called” by what you perceive as external circumstances or the needs or concerns of others?

Web Camel Transport 15

The Happiness of Admiring

Tuesday, February 16, 2016

In our world we repeatedly experience the pulse of competition, whether with others or to achieve our personal bests: Run further and faster, climb the corporate ladder skipping a few steps, get ahead of the next company’s patent on new technology, have the biggest party, make the most money, travel to more countries, bag the most peaks, garner the biggest audience for. . .whatever. Ambition has jazziness and energizes, and makes us work hard. All good. But that driver, when unbalanced by other ways of living, will keep us too focused on THE PRIZE. And prizes, when received in the moment, can certainly make the heart sing. But the song, sadly, echoes for only a short time before it enters the door of silence. After the handshake, or the medal, or the check. . .well, even after the champagne and mushroom pate, comes another day in which we inch our way toward old news.

Meg Kearney, of the Solstice writing program at Pine Manor College in Boston, Massachusetts, shared some sage advice upon our entry into the MFA program. Following in the Frost tradition she said something like: “When given a choice between being intelligent or being kind, choose being kind.” No amount of critical insight held enough value to slash a fellow student’s work. The staff at Pine Manor not only fostered a supportive relationship among writing students, but went well beyond. The second directive: “Fall in love with another student’s writing. Study everything they write, and learn more about writing, including your own writing that way,” had an even more profound effect upon the climate while studying. Every single writer, by flexing their mind into the writing of another person, gained perspective, nuance, and invaluable editorial experiences.

But the big plus? Falling in love! Falling in love with a person, with a piece of writing, with a garden, with anything. . .that offers up a big slice of happiness.
Admiring someone else takes us joyfully out of ourselves. Momentarily relieved from our pinched self-absorbedness we can spread our wings and take in the beauty someone else’s being offers.

As a therapist, I enjoy the privilege of sitting across from someone, my eyes open, my ears open, my heart open to them. I do not need to advance myself as a friend or as a colleague. The only requirement involves utilizing expertise, experience and willingness for the benefit of another, as that person describes it. Seeing someone’s beauty, admiring their strengths, happens naturally and effortlessly as conversation unfolds.

By getting to know someone and the circumstances in which they try to live the best they can makes it easier to admire that person. Vulnerability and openness bring people closer, and the close-up view promises much to admire.

Guest Saddle:

Whom do you actively admire? What beauty do you see in this person? What has it taught you about yourself? About anything?

Web Camel Transport 14

Awakening Happiness

Monday, February 15, 2016

The camel rises, all angles and cantilevering of long bone after long bone. Craning his neck he looks around and stretches. Long and tall or short and squat each living being naturally stretches, moving from platform to platform—earth to air, belly to legs. Yawn. Stretch. Awaken. Focus. The dimmed world of sleep and the sadness or spookiness of dreams burn away under the throb of sun overhead; and the body and mind rearrange themselves, open their doors and windows to let in the sensations of the day and attend to other beings in their surround.

Awakening slowly, delicately, diligently moving the articulate joints, flexing the feet, stretching out the increasingly arthritic fingers feels better than bolting out of bed, alert and anxious with anticipation for the demands of the day ahead. Awakening as if this were the only moment takes practice. As if. As if no future called like a bird outside the window heralding whatever comes. As if no outfitting for a big responsibility need take place.

In child summers days stretched long, like beings themselves, and I remember awakening with excitement, wondering what the day would bring, as if every day were Christmas and gifts lay ahead, the second I bounced out the door of the house. Maybe tadpoles near the pond, maybe neighbors out and about, maybe the building of a fort or a tree house or picking apples from the next door orchard; maybe later in summer, blowing sylph-like seeds from milkweed pods that stood tall in the marshes at the end of the road, holding our wishes captive until that very moment when seeds fluffed and spun toward the sky.

Most days awakening and anticipation lie next to each other in my morning bed, sharing a pillow. The trick: to welcome the anticipated responsibility with open arms, as if “she” were a bride. Play the fanfare, smile and clap and sing. Whatever comes, let me be of good service to it. Let me host the future hours like the most welcomed of guests. And let my curiosity lead like an outstretched hand, open and ready to take hold.

Guest saddle: What draws your anxiety upon awakening? Is there another way to welcome what meets you on the road ahead? What lovely features, or challenges can you greet with curiosity, with respect, and with diligence?

Web Camel transport 13

The Right and Happy-Accountability

Sunday, February 14, 2016

In twelve step programs, one principle (as differentiated from an official step) for living a wholesome life, “Do the next right thing,” holds a lot of power. Merely by asking oneself to define the next right thing, an engagement of the whole person must occur in which emotions, thoughts, values, and finally actions get expressed. The power of wondering about, and coming to some conclusion about the next right thing, constitutes a sturdy platform to support sound judgment, good decision-making, and a reduction in compulsive as well as impulsive behaviors. When we bring to bear on any situation the entirety of our personhood, the conversation of our inner parts have to result in some consensus. And usually that integration of parts, that agreement among our inner selves, produces actions that are consistent with our highest values. Accountability implies an inner process of orienting ourselves and making decisions that house our responsibilities as we define them.

As a therapist, I often experience inner tugs about the extent to which accountability to my clients supersedes accountability to myself in terms of self-care. It is important to be “off duty” sometimes. The therapy hour functions as a heightened period of time in which rapport with my client(s), working through the issues important to them, and co-catalyzing the energy they bring out into the world to continue this work takes place. When I get phone calls to referee a couple’s argument or to coach someone out of a downward spiral, I have to be careful not to give the message that I have 100% availability. As an outpatient therapist I do not perform emergency service functions. There certainly exist “extra” responsibilities to clients, outside of the therapy hour, but these responsibilities require some bounds. The delicacy of navigating these boundaries in my own mind, and communicating them to others, keeps me on my toes, and frequently aware of accountability. I feel good, as do most people, when I take accountability for my role in things. Sometimes I must face my smallness in the scheme of things—I have no ability to take hardship away from someone, or to give suggestions that are always brilliant and enlightening, or even to comfort the most acute grief. Sometimes all I can do is to be on the other end of the phone, listening, understanding, providing some warmth and perhaps an endorsement of the person’s resilience. Sometimes I cannot be there at all. Sometimes I prioritize accounting to a family member, getting some sleep, or stocking my refrigerator.

As accountable people we feel aware that our words and deeds affect others. When we think through our responsibilities and account for our words and deeds, we can then stand behind what we do. We feel happier in that sturdiness than we would by blaming others for our mistakes, letting our jealousies inflict damage on others, or use others to our advantage in a way that diminishes or disadvantages them.
Trust that when you account for yourself this is pretty great! You are pretty terrific.

Guest saddle: For what did you not take responsibility? (A fight, a missed appointment, a fumbled positive opportunity). If you did take responsibility now, account for your part, and what would you do or say differently to function more effectively and more helpfully?

Web Camel Transport 12

The Onion of Happiness:  Appreciation

Saturday, February 13, 2016

Mindfulness offers the refreshment of momentarily leaving our egos behind and extending the boundaries of our “I” to include the larger surround. In the “Flow Experience,” we may write poetry, play music, sculpt, or plant a garden, but we experience a oneness of consciousness and action, a relief from the felt sense of time passing, the vitalizing sense that ‘now’ is everywhere and infinitely expansive. We do not chatter to ourselves. We live in boundary-less wonder.

Appreciation is wordier. In order to fully appreciate, our parts of consciousness behave more distinctly, though in concert with one another. A harmonization rather than a confluence. When we smell the perfume in a flower garden, gaze at a painting, admire a well-crafted machine, and so forth, we utilize our ability for psychic distance to step back from in-the-moment apprehension. Somewhat outside the experience we can describe how it feels; we can tell ourselves the story of our intense encounter. So, we have, first, the immediacy of sensory and kinesthetic interactions with the subject of our attention, and secondly an intellectual encounter as well. To savor is to allow consciousness to linger beyond the moment of the engulfing encounter. To savor and appreciate means to create some narrative about our experiences. When we describe what happened—the bird eating out of our hands, the child finally walking after the physical therapy, the dance under moonlit skies—we cloak it in meaning. WE are meaning-making creatures who live among other creatures, and want to share our great experiences.

Artists and writers often talk about work as involving 10% inspiration and 90% perspiration. The 10% represents the awe factor; the moment when the Muse grabs you and without balking you take your marching orders and go, go, go. But then comes the light of understanding, of the elaboration and appreciation for what is there, separate from you. As if the “work,” like another being, takes on a life of its own. And of course, beyond appreciation, is the grunt work, the cutting and nailing and fitting it all together in some sensible whole.

Attention itself, the beam of it when focused on a child, for example, has no equal as a gift. The beam of one’s attention lights up another being, drapes someone in the warmth of your curiosity and interest, your appreciation. And when you speak to the child—‘I see that you are building a very tall castle—the child feels seen and blooms into being for that moment like a flower opening to the morning light.

Appreciation beams light on what we already hear or see or feel, amplifying the experience, and making it more indelible. The experience requires a confluence of parts of consciousness. Like dream-maker, dreamer, and interpreter, our wide-ranging niches of consciousness come together when we appreciate an experience. We mark the moment and personalize it with our description, our second look.

A stanza from Li-Young Lee’s poem, ‘From Blossoms,’ stands as an example of what most poems do—offer a moment of exquisite savoring:

“O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.”

And part of Emily Dickinson’s ‘The Fish’

“He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime. . .”

In the end the narrator lets the fish go, because of an intense appreciation of the hard won victories of freedom the old fish has accomplished, its jaw decorated with old pieces of fishing line.

To appreciate is to love something all over again, to layer an experience with a membrane of intelligence and gratitude and story. Experiences, like onions, can have many skins, in the immediacy of savoring, and retrospectively—as many times as we tell the story to ourselves and to others.

Guest saddle:  What or whom have you truly appreciated recently?